
Starting to write the first line, I want to place accents correctly — "Ford vs Ferrari" this is to gloss glossy, but in the same time, sweet candy, taken for overage of the jury handing out the prestigious statuettes. These paintings, telling us about the past tragedies or the victories of the country are often filled with the spirit of patriotism, innovation and deprivation. This pure politics, trying to remove political (often) or some of the production Thriller (work something like in the "In the spotlight" 2015), the event which you can calmly put in thirty minutes of time.
A story about how two people are trying to create modernization potentially the best car we broken by trying to pile on the suspense with corporate squabbles. It and we see annoyingly pompous way son Ford, who wants "great again". And all this takes us to the ending, after the credits which the viewer attends a really fun insight. The whole movie tries to dance around political/corporate innuendo, yet the process of creating them a better version of the machine, and in fact, all solves only one person. One person is able to reach the maximum speed of the crumbling of the machine. One man has already been not first time at risk of their lives. And all this understanding even more amusing — because fact that the picture as and her many faceless such works not gives us bright the backbone of the story. Here you can see the outstanding person, but plain and interesting — no. If both the main characters were in real life, here you are not will see. Himself the process of constructing history becomes dancing to tune in some semblance of a traveling circus, where and trying to hold the viewer's attention around a banal and boring story. Hero Christian Bale then it want to fire, and this recurrence is almost a non-symmetrical design up to the end of the film. Some steal the clock again we show unhappy face son Ford. The picture is not even trying to place in narrative as more details — it is simply meaningless perestanut. And those points races, where would to catch up even more tension authentic soundtrack (hell, I even the drama) you will hear a very light motive, it is not characteristic intense race.
Attempt to squeeze the tears in the ending also is true, and attempts related to this action look almost not hypocritical. As if set exhausted under the end of the shooting process (if the film was shot not end). And because all signed a good crew, there is a great cast-list. Yeah and Christian bale, even from the banal roles still able to squeeze the juice. Only here the story itself is absolutely stingy with spectacular narrative, and all attempts to catch up with the voltage and to diversify the story is reminiscent of dances with a tambourine around the campfire. Ridiculous and, quite frankly, "sucks".
Quite watchable dummy for prestigious film festivals on a regular (annual) wave of patriotism. Attempt to dance on uninteresting story. And because conventionally, the same "Rush" Ron Howard wins this representative, at least the expense of better disclosure of the characters. Of course it's not so sad and hopeless, as it might seem from the sentiment of the above lines. Minutes timekeeping racing Christian Bale and just a couple of close-UPS with his intense facial expressions — certainly the best that is there. But to see if for this?
6 from 10