"Everything you feel — to me, his sponsors, Ko anyone who doesn't think, — I want you is used! Feel it, brother, dig a little deeper, feel, and show on camera! Yes... bring it, baby! Show me..."
Hero Wesley snipes is about experiences using John Cassavetes
When in the middle of the second decade of the XXI century black and women cinema began to whine about that they are oppressed, and dogs sensations of public has created two precedent — White Oscar and Harvey Weinstein, many color talented actors and Actresses managed to find a response from the viewer? If before the passing of actors nobody has noticed a talented divided by color gender now that is quality work on the audience is presented tolerant "whining" and the whole emphasis is shifted to walk-through characters, like, look, we elf black, and all curve Fi! when this was completely forgetting about that was a Tony Cox in"Bad Santa," another and dwarf... And so this is a cool elf!.. That's the same. How many black comedians have spawned Hollywood madness under the name of "egalitarianism"? There many women Directors were able to remove the masterpieces of cinema? Or write a plausible scenario that can live separately from parasitism on hackneyed themes of oppression? What do Studio bosses, more like the statistical fit that could lead to the crash — the elimination of natural selection among HR. And film will lose the only factor by which and for which it exists — magic.
I remember my childhood and it was full of blacks. On screen in the headphones. Major Payne, the Cosmic Jordan and Dennis Rodman, Not be a menace to South Central, blade and People in black ice and ice cube. And course — Gangsta's Paradise. Here what it means to grow with big brother. TLC and Destiny's Child — it is my girl's home. One look at the ratings (opasnye and overseas) sufficient to understand what has left an indelible imprint black people and characters in Russian kinomisto 90's, early 00's. Which began with him after two decades? In a child to love black culture and black jokes was a sign of coolness. How is it that now the presence of the black actor on the sidelines or black superhero causes clichéd rejection of a mass audience? Understand whether this is the Studio bosses that the imposition of bureaucratic stereotypes, they only give rise to prejudice in the minds of the viewers? I don't know. But that its policy of artificial equality, they push away potential viewers from the screen can be seen on the example "my name is Dolemite".
This picture — perfect tandem. Film shot black white. Rudy ray Moore is not was a genius as Marvin Gaye or Chuck berry. Black Panthers Luther king, Jr., it is not touched. Everything you wanted not the educated Negro in Los Angeles, is to become famous. Sense of humor and the gift of the promoter, and also the ability to listen to the voices of the streets — zassannye and toothless bums "Dolemite" are on a par with ancient Greek Aedas — turned failed farmer of the Arkansas, not evil on the whole world, and only stepfather, in the icon of the black mainstream, one of the godfathers of rap. I hope that the filmmakers don't forget Gil Scott-Girona and in the near future to dedicate to him a whole movie-poem, full of the social sphere and heroin. A while enjoying the Sunny hedonism and tireless optimism Rudy ray Mura mask which was literally implanted in itself, forgotten by even devoted fans of Eddie Murphy.
On the screen — not a drop of insolence and opinionated narcissism. Eddie lovingly conveys the uncertainty and the warmth of his character. Moore came out incredibly human, in spite of that screen pours the choicest swearing and he is involved in a questionable photo shoots with a bare ass. The writers hinted that the success of Moore was able to achieve due to the fact that has rallied around him a real family — dedicated team, in which even the stranger D Arvil Martin imbued with the main idea of the Moore and film — to ride the beam light pouring from the booth projectionist. To create magic, you have to really love what do. Big money only dulls the sharpness of desire. Filmed for a pittance, "Dolemite" was able to reach a simple spectator, talking to him one language. And not the point that this viewer was black people, who when no understand cosseted scholasticism "page one," with the Lemmon and Matthau. In the first film brewer shoot that you pulled about this — on love. The leitmotif of "Dolemite" is semidesyatnikov as the phenomenon of spontaneous injection in pop culture genre such as rogue porn, horror and blackplates. Shot during a penny, "Deep throat" and"Texas massacre" managed to become box office hits. Also as "Dolemite". Brewer shoot that you pulled the film clearly proves that ossified system, and let the studios, may break without violence the blood of sacrifice. May be Rudy Moore made more than panterovsky revolutionaries — he got into the minds of white boys cherished dream which was the desire to rap. In any case, "my name is Dolemite" tearing in pieces any hint of high-flown pathos of one sex scenes. The decision to remove a sensual episode in a humorous way otherwise genius is not called. Personally after seeing me no more questions why "Dolemite" dubbed the "Citizen Kane" a black movie. As for brewer shoot that you pulled Murphy no turning back — risky "Trip to America 2" threatens to turn into something more than another comeback — in fruitful cooperation. View.
