Very poor at the content variation of Visy Koiso-Kanttila on the socio-gender relationships, coming to split the moral foundations of family unity, testing the fragile psyche of teenagers, critically evaluating the behavior of adults, not finding a place near the distracted parents, the joys of life forgetting colour.
Infidelity and betrayal — phenomena of traditional and everyday, pain and jealous — expected understandable, alienation and depression — two sides of the same coin, but in reconstructing it all, the Director does not creates a complex drama, not finds the original characters, hobbling on the beaten path, stumbling about some same bumps, sticking together of the cut pages, colorful collage dissolute shamelessness, intending to declare the conscience of the society is discouraged by the collapse of a few guys.
Catches eye a Convention and that more unpleasant secondary to any actions that deprive this story of authenticity and sincerity, breaking it into several formal thesis that claim to be the final time, a conviction and a farewell letter, brought by sea to empty bottle.
