
In the history of modern cinema there are many occasions when the Directors representing the Albion, exposed the skeletons in the closet of Ireland, has always considered himself a bulwark of Catholicism, and portrayed this vaunted piety as the rabid religious rigorism, not much different from obscurantism. To just to make you think "Magdalene Sisters" by Peter Mullan and "Philomena" by Stephen Frears. "Tablets of fate" of the famous Irish Director Jimmy Sheridan, in the base of which lay not less remarkable than the film itself the book is the story of Sebastian Barry (suffice it to say that the book was awarded numerous prizes rare book world), with no less than of its predecessors with rage, fell upon the Institute of Irish Catholicism.
The place is located in the picturesque Irish province clinics want to build a modern SPA-hotel, but the last stronghold of the clinic turns out to be a hundred years old Rosanna McNulty, resolutely refusing to leave its walls — she held in them more than fifty years, and these years, the walls of the clinic have become her home. The hospital management sent as an envoy for the negotiations with Rosenau Dr. William green, famous for its ability to persuade, and rose tells him a poignant story of his life.
Sheridan, himself an overworked book Barry for the script of the film, smartly managed and fun with due share of drama to tell a complicated story of love flowing simultaneously in two time planes — during the Second world war and nowadays. Difficult because proud freedom-loving, rose managed to fall in love with Michael McNulty, who in contrast the Catholic population of the town was a Protestant, than provoked the tangle of religious intolerance, the border with hatred, lies and slander as the train which ran over character in throughout her life, bringing her so many disappointments and losses, aggravated by the fact that she put the eyes of the young pastor of the local Church. Analogy with the recent "Underworld" Martin Koolhoven suggest themselves, but, in contrast he, Sheridan manages to dilute the gloomy atmosphere of racy Irish humour (impact a young person's back the night of the dance in the village hall for the too close adherence to partner- "where place of the Holy spirit?") and beautiful pastoral beaches of the Irish hinterland and the sea, which plays an important role in the story (by the way, the whole this beauty is removed by the efforts of our compatriot Mikhail Krichman, longtime partner Andrei Zvyagintsev, for which the "Tablet" became debut on the world tinaarena). The cast have worked on the glory - Vanessa Redgrave with its grace dignity gave way elderly Roseanne, Rooney Mara revealed the secret appeal of her character for men youth, surprised and Theo James, familiar to viewers of the franchise "Divergent" and almost not the first time acted in such a dramatic role. All this in General — and fine acting work, and wonderful sea landscapes the story itself, affecting the audience's imagination the fact that it occurred in our progressive twentieth century, its uplifting finale make "tablets of fate" in the film, which will be those who loves these epic canvases as "The notebook"
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