The Irishman McDonagh shoots rarely, but neatly. Every new film — a consistently high critical acclaim. Filmography at this man is not rich, but both last feature film with Colin Farrell was very good, what is really there (especially "Lie down on bottom of Bruges"). But only "Three billboards" by — really hit the jackpot on all fronts. — titles like and remained solid, but but they added a number of awards (and it may not end) and applied.
Now in the Internet being a real war. Some stoically defend the movie and call it a masterpiece in a long time so waited. Other, much more restrained in their comments. That, they say, 've done such a brilliant Martin McDonagh, is now to praise him work? Well, let's say, your truth — not brilliant at it, of course, not did, but in his statement remained true to himself.
"Billboards" — the film is not pretentious, and it's much easier than wants to appear at all his feigned rudeness and impulsiveness. Although, if the viewer has seen stories told by M. Moscow, a masterpiece of himself — what — the particular idea of the sore which it so strongly touched at the time of viewing, it his work and right. In the end here is really trying to speak on pressing current topics. Some of them will be interesting and relevant solely for the American audience, but this is perfectly normal. Here only many of the themes McDonagh says absolutely casual. Thought a movie about omissions lawlessness of law enforcement agencies? Yeah, right now, dreaming. Was hoping for the powerful opposition of the characters in the end? Too, by not be fooled. In the end, the plot is famously rebuilt on another lane. And, alas, not makes it is more valuable. Yeah and cinematic, the truth, too, is not doing.
McDonagh tries to reproduce on the screen a typical Wild West in modern America, where the concept of bad and good person — things are very vague and symbolic. But if it was a real Wild West, shoot with all trunks started by the thirtieth minute. Agree that all characters no exceptions for unpleasant — its. The main character — rough and energetic aunt in the age, which all have to, because she is grieving. All the word "all" and not only the cops who are only interested in donuts, and riding skateboards teenagers. With others it behaves coldly, for with the exception of some. Anything other people also can be grief, it still the center of attention. The promise is clear, behavior is motivated more than. Your shit is not like the surrounding will automatically fall in the category of "guilty by definition". If the system got, fight with her as we can fight. Fight, baby, hold on his. Getting through will not be easy, but it is possible. Three ill-fated Billboard, without jokes less the main characters of the tape than people. Almost all events are them, or looks like they are connected with them. McDonagh is not miss the opportunity of passing to catch and the dentist (well, who them really, love?), and priests damn racists. But does it all like — without a spark, for the record. And those other the result, still it is only care about how the background application, to dilute the population of the town. About them, it say as much as you need to aspect ratio. Another thing is — the cops. These subjects suspiciously reminiscent of the Russian cops of towns and villages. The real cause of their care so far — because as the guards are similar to the arrogant, dissolute and snickering turkeys in the form, which is easier to measure color and a harmless freaks than to disassemble the cold cases. The truth in the words Macdona is, and to challenge it as at least, stupid. But case — the film does not about it. Vile faces of the cops, in the end, be only bright and expressive shells under which lurk in those still God's dandelions. As say Pechkin of the Soviet cartoon:"that's because I have not exist!". More logical was to make awareness among the one character, but the Director decided to anthropomorphize them all. In such a fabulous metamorphosis believe, frankly, with difficulty. The more present tense. Where then absolute evil blame history, go figure. Escaped to an attractive young fool husband of the heroine? Well so he's, like, nothing illegal makes. Yeah, he traded the old girl in devyatnadtsatyy. Me too crime and revelation. Fidgety adman? He also just making money. A rough idea is Macdona — each is good, just need to release it out. Need to see under a thick layer of bile, dirt, and social shit. What well. This is probably so. Not sometimes bad people, only bad circumstances. But how then to be with a rapist, yeah and generally with criminals deserving severe punishment uncompromising? Oiled finale suggests that and this is an obvious question the Director and writer can give a firm and decisive response.
"Three of the Billboard on the border of Ebbing, Missouri" — the pattern is visible on the background of consumer goods in recent years, but with a solid disadvantages. In the first place, these deficiencies arise because of the — for the characteristic handwriting of Martin Macdona, which is not varies from time "to Lie down on a bottom in Brugge". Some of the highlights here look very much for — seems silly, posed, or awkward, given the claim to the seriousness and the drama of history. In"Seven psychopaths" is like a creative somersaults have been even by the way, but there is clearly too much. New black chief of police, who on all seriousness said all white cops in the area:"Well, what sat, snow?". Yeah and repentant characters, really, from the reality is very far. The film would probably not have made such a success if not a strong actor's work, which well add to it points. Here there really is for what to praise the movie. Why should only Sam Rockwell. In fact, nothing new in their work for the genre to the world of cinema McDonagh not said. But it is important how he said. Inequality, lawlessness and the desire to Express yourself has always been exciting topics. And better if the film those themes and adhered to the end, the logical story ending. However, closer to the interchange, McDonagh makes a favorite course — taxi to a psychological analysis, and quite frankly includes Dostoevsky. As for Dostoevsky, he is not enough deep images and tests out — why "Three billboards" appear at the beginning of the life-affirming and loud drama, which is closer to the final stop, and goes to no.
7 out of 10
